Laufey on Bridging the Gap Between Traditional Jazz Singing and Gen-Z Pop: Young Fans ‘Connect More With a Vibe or an Energy Than a Genre’LAS VEGAS (AP) — The Broncos are 0-4 in Las Vegas, but in a matchup of teams heading in opposite directions, Denver has more at stake than trying to end a series skid. A victory over the Raiders puts the Broncos that much closer to an unexpected playoff berth, playing with a rookie quarterback and just a year after they went 8-9. The Broncos are 6-5 and coming off a 38-6 victory over the Atlanta Falcons , and would be in the playoff field if the season ended entering Week 12. Not bad for a team given a win total of 5 1/2 games at BetMGM Sportsbook. “Everyone understands the significance of where we are at this point in the season,” Broncos wide receiver Courtland Sutton said. The situation is quite different for the Raiders. They are 2-8, on a six-game losing streak and decimated by injuries. Las Vegas could enter this game without its top two running backs and a reshuffled line on offense, and defensively, the Raiders could have two linemen, three cornerbacks and a safety out of action. “Just been having some bad breaks, but nobody feels sorry for us,” Raiders coach Antonio Pierce said. "Nobody feels sorry for me. You’ve got to roll out there with 11 players, and that’s what we’re going to do come Sunday.” The Raiders are badly in a need of a franchise quarterback and are in a logjam for the top pick in next year's NFL draft. Denver showed with this year's draft how valuable landing such a QB can be to an organization. Bo Nix was selected 12th — one spot ahead of the Raiders — and he is pushing for AP Offensive Rookie of the Year. He was this week's top AFC player and rookie after completing 28 of 33 passes for 307 yards and four touchdowns in the rout of the Falcons. “I think as we’ve gone on, Coach (Sean Payton) and I have found a good rhythm of what we both like, what we can kind of put out there on the field and what we can execute," Nix said. "Then the guys have kind of adapted to it, found our roles within the offense and executed at a high level. It’s just all about slowing the game down and processing things in a manner that you can handle.” Raiders tight end Brock Bowers also could have a say in who wins the season's top offensive rookie award. He is second in the NFL with 70 catches and his 706 yards receiving is 10th among all receivers. His numbers from a historical perspective are even more impressive. Bowers, the 13th pick in this year's draft , is fourth all time among all tight ends in catches through the first 11 weeks and he and Jeremy Shockey in 2002 are the only rookies at that position to have more than one game with at least 10 receptions. “This week's a brand new week,” Bowers said. “I've always got something to prove.” Payton still isn't entirely comfortable splitting carries between running backs Javonte Williams, Jaleel McLaughlin and rookie Audric Estime. Asked how he determines the right balance in his rotation, Payton said, “That's the $6 million question. It’s difficult. We know kind of what we have with those three players. I think it’s always hard to feed three. "I'm used to — and it’s easy — to feed two. So we kind of do that a little bit. I thought Javonte had some really good runs (last week). Certainly the game ends and we’re like, ‘Gosh, we have to get Jaleel more touches.’ So it’s a tough, but a good problem to have.” With injuries to running backs Alexander Mattison (ankle) and Zamir White (quadriceps), 10-year veteran Ameer Abdullah could get the start for the Raiders this weekend. He has just 17 carries for 82 yards and a touchdown this season and started just one game his previous six seasons. “I see myself as a starter,” Abdullah said. “I think every guy in the room does. I consider myself the best back on this team just like every back does. This is my opportunity to go out there and put my best foot forward.” Patrick Surtain II had a pair of interceptions, including one he returned for 100 yards and a touchdown, in the team's first meeting this season and that fueled the Broncos' 34-18 win in Denver . Both of the passes were intended for Bowers, who caught a 57-yard touchdown pass in the first quarter. Surtain isn't expecting the Raiders to avoid him Sunday, however. “You don't want to go into a game thinking they're not gonna throw it your way,” Surtain said, “because it's the pros at the end of the day, everybody's ready, everybody's capable.” AP Pro Football Writer Arnie Stapleton in Englewood, Colorado, contributed to this report. AP NFL: https://apnews.com/hub/nflWhat do Reviews of Real Mitolyn Users Say About Purple Peel Exploit for Weight Loss?
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The Federal Capital Territory Primary Health Care system has emerged as one of the best in the federation at the second edition of the Primary Health Care Leadership Challenge Gala/ Awards ceremony held in Abuja. A statement from Bola Ajao, the Senior Special Assistant to the Mandate Secretary, FCT Health and Environment Secretariat, Adedalapo Fasawe, noted that the FCT emerged as the runner-up for “Best Performing and Most Improved State” with a cash incentive of $400,000 in recognition of its implemented innovations and outstanding performance in strengthening PHC system in the territory in line with Universal Health Coverage among other states in the year 2024. Meanwhile, 14 awards were presented in total—one per geo-political zone and one national award. Along with FCT, other states that shined at the ceremony were Gombe state, which won “Best Implemented Innovation,” and Anambra, which got the “Overall Best Performance” award for the 2024 edition. This year’s edition, chaired by Vice President Sen. Kashim Shettima, was represented by a former Minister of FCT, Alh. Aliyu Madibbo. The PHC Leadership Challenge award was launched in 2022 by the Nigeria Governors Forum as a commitment to strengthening and improving the PHC system across the country and to appraise state performance. The first award edition kicked off in 2023. Related News FAAC: FG, states, LGs share N1.7tn November revenue FCT health insurance scheme exceeds 2024 enrolment targets — Official Wike ready to revoke illegally acquired lands of friends, family — Aide In response to this remarkable feat, Fasawe said, “This award underscores the strategic leadership of the FCT Minister in investing in healthcare and the credible services carried out daily in PHC centres across the territory, with more to come.” Fasawe noted that the FCT healthcare system promotes and utilises the Basic Health Care Provision Fund adequately yields significant improvements in antenatal coverage, an increased proportion of women who are using modern contraceptive methods, an increased rate of women delivery with skilled birth attendants through various approaches targeted at creating awareness and educating vulnerable women on the importance of accessing quality healthcare system within their proximity. Fasawe, while appreciating the entire management and staff team of the Health Services and Environment Secretariat, and other stakeholders called for more action by putting in more work to ensure that the commitment to strengthen and improve the PHC systems in Nigeria is fully actualised. At the ceremony, the HSE Secretariat was represented by the Acting Executive Secretary, FCT Primary Health Care Board, Ruqqaya Wamako in the company of the Director, FCT Health Insurance Scheme, Dr Salamatu Belgore, who received the award on behalf of the Secretariat. The statement added that the Chairman of the NGF and Governor of Kwara state, AbdulRahaman AbdulRazaq, who was represented by the Governor of Anambra state, Prof Charles Soludo; and the Coordinating Minister of Health and Social Welfare, Prof Muhammad Pate were present at the award ceremony.
Iowa QB Cade McNamara slams 'ridiculous' rumors
Shoppers seeking updates on their online purchases are receiving fake shipping notifications — something that is heightened during the busy shipping season during the holidays. The endless texts and phishing emails alert shoppers to a delivery issue requiring immediate attention. Scripps News Baltimore Reporter Mallory Sofastaii spoke with multiple customers at the post office, who told her they have received these scam texts. Scammers just need one person to fall for it. “They’re desperately hoping that you will act so quickly that you will give them whatever they want so that they can steal money from you,” said Karen Morgan, executive council member and lead fraud volunteer with AARP Maryland. RELATED STORY | This phishing scam uses text messages pretending to be USPS with a delivery AARP is warning shoppers about these scam texts seeking personal information such as date of birth, Social Security Number, or account logins. And they received a report of someone paying a $0.99 re-delivery fee and later realizing they'd been charged $400. “Do not act quickly on any of these notifications. Stop a minute to recall, did you actually order something? Have you actually sent something? And by the way, if it's the post office, FedEx or UPS, don't they already have your address? Why do they need you to give it to them again?” Morgan suggested. USPS will never send a text or email without the customer first requesting tracking information and they do not charge for these services. “I have registered with the post office to receive emails,” said online shopper Ana Cruz, who uses USPS Informed Delivery , a free service to keep track of mail and packages that are scheduled to be delivered. Howard Shand said he doesn’t do a lot of online shopping. “I go direct to a store, so I don't really have that problem. You know, I shop early,” he added. And he said he's extra vigilant for a reason. “I've been scammed before, so, you know, it makes you more alert,” Shand said. “Just be careful. Pay attention and don't let down your guard easily.” It's important not to click on any links in these messages. Even if you don't enter your information, malware could be downloaded onto your device. And some of the links will take you to a fake login page designed to steal your password and then lock you out of your real account or to hack into other financial accounts. Click here to see the other 12 Scams of Christmas. This story was originally published by Mallory Sofastaii at Scripps News Baltimore .Matthieu Blazy , the French-Belgian national , since 2021 has served as Bottega Veneta 's creative director. In 2025, he will join the legendary French house. Chanel announced on Thursday, after months of intense speculation, that Matthieu Blazy has been appointed as its artistic director of the house's fashion activities. Blazy will oversee all haute couture, ready-to-wear, and accessory collections. The president of Chanel Fashion and Chanel SA, Bruno Pavlovsky, will receive his reports. In a joint statement, Chanel's global CEO Leena Nair and global executive chairman Alain Wertheimer referred to the designer as one of the most gifted designers of his generation. His talent and vision will strengthen the brand's energy and our position as a luxury leader. They are sure that Matthieu Blazy will continue to influence the future and write a new chapter in Chanel's history under Bruno Pavlovsky's direction. 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His bold personality, his creative and potent approach, and his commitment to exquisite materials and craftsmanship will lead Chanel into exciting new directions, Pavlovsky stated. Since Virginie Viard abruptly left Chanel in June 2024, the position has remained unfilled, leading to a flurry of speculation about who would eventually land what is arguably the most sought-after position in fashion. Designers ranging from Simon Porte Jacquemus to Hedi Slimane were regarded as leaders in the last six months. With his flawless record, Blazy, who joins from Bottega Veneta, is a perfect fit for the position at Chanel, which entails creating ten collections annually. The Paris-born, 40-year-old designer has an impeccable track record, making him well-suited to the role at Chanel, which involves designing 10 collections per year. Under Blazy, Bottega Veneta became one of Milan's hottest brands, with a strong focus on craftsmanship. The brand proved particularly resilient in the luxury downturn, with sales up 4% in the first nine months of 2024 to €1.23 billion. Also Read: This is why Olivia Wilde received death threats while portraying a character in medical drama series ‘House’ Chanel will be a much bigger test for the designer as the company's revenues hit $19.7 billion in 2023, up 16% year-on-year, making it the world's second-largest luxury brand behind Louis Vuitton. FAQs Who is Matthieu Blazy, the new artistic director of Chanel? Formerly the creative director of Bottega Veneta, Matthieu Blazy is a well-known designer who is praised for his skill, inventive designs, and background at luxury fashion labels like Céline and Maison Margiela. When will Matthieu Blazy start working for Chanel? Chanel's haute couture, ready-to-wear, and accessory collections will be shaped by Matthieu Blazy, who will assume the role of artistic director in 2025. (You can now subscribe to our Economic Times WhatsApp channel )
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The Golden Globes unveiled nominations this morning, offering a blend of surprising choices and unexpected omissions that could reshape the awards landscape. With the Oscars nomination voting period just weeks away, the Globes voters have once again asserted themselves as a momentum driver, and indicator of what might follow in Hollywood’s most glamorous season. Jacques Audiard’s Spanish-language musical “Emilia Pérez” emerged as the morning’s biggest story, garnering an impressive 10 noms. This feat not only sets a new Golden Globes record for a comedy or musical film, surpassing “Cabaret” (1972) and “Barbie” (2023) which shared the previous record with nine; but also helped Netflix lead the way for all studios with 12 mentions for film. Most importantly, it cemented “Emilia’s” status as one of the year’s frontrunners for the best picture statuette. Adding to the intrigue, these announcements coincide with a particularly frenzied moment in the season. Today marks the deadline for Critics Choice Awards ballots, while Oscar shortlist voting begins in 10 categories, including documentary feature, international feature, sound, visual effects and more. Meanwhile, SAG Awards voting kicks off next week, on Dec. 16, further intensifying the race. On the small screen, the Golden Globes nominations reveal an industry in transition. Again, Netflix had a standout day, racking up seven series noms across its programming slate. Leading the charge were dramas “The Diplomat” and “Squid Game,” comedies “The Gentlemen” and “Nobody Wants This,” and limited series “Baby Reindeer,” “Monsters: The Lyle and Erik Menendez Story,” and “Ripley.” However, FX’s “The Bear” claimed the top spot for all shows with five mentions, keeping up its status as a critical darling. The culinary dramedy has now secured its third consecutive nom, solidifying its place in awards history. Hulu’s “Only Murders in the Building,” another perennial favorite, also fared well (minus the Meryl Streep snub), continuing its streak of recognition for its sharp writing and ensemble performances. The nominations raise pressing questions about how these picks will influence the Oscar race. Can “Emilia Pérez” sustain its momentum in a more traditional Academy landscape? Will Netflix maintain its dominance as a platform capable of excelling in drama, comedy, and limited series? And what does the overwhelming success of “The Bear” say about the growing embrace of hybrid genres in television? Below, we dive into 15 takeaways and pivotal questions from this year’s Golden Globes nominations. Variety parent company PMC owns Dick Clark Prods. in a joint venture with Eldridge Brady Corbet’s sweeping historical epic “The Brutalist” and Edward Berger’s religious thriller “Conclave” emerged as major players, earning seven and six Globe nominations respectively, trailing only the musical “Emilia Pérez.” Both films have been considered serious contenders for the Academy’s top prize, based on industry buzz and glowing reviews. Focus Features, eyeing the first best picture win for the studio, is banking on the power of the preferential ballot, in addition to possible triumphs for drama actor Ralph Fiennes, and screenplay for Peter Straughan. Regarding “Brutalist,” acquired by A24 after its Venice premiere, it has been considered a bonafide contender in multiple categories, including directing, actor for Adrien Brody, and numerous artisan awards. Brody’s nom comes 22 years after his Oscar win for “The Pianist,” and he also won big with New York Film Critics. However, the film’s trajectory has seemed to echo the 2002 awards race when “Pianist” pulled off key upsets in directing (Roman Polanski) and adapted screenplay (Ronald Harwood), losing best picture to another musical “Chicago.” Could “The Brutalist” duplicate a similar evening, if the Academy ends up going for “Emilia Pérez” or “Wicked?” History offers no guarantees. On the drama side, a Globe win for best picture doesn’t always translate to Oscar success. Films like “1917,” “Three Billboards Outside Ebbing, Missouri,” “The Revenant,” “The Social Network” and “Babel” claimed the Globe but ultimately lost the Oscar’s top prize to “Parasite,” “The Shape of Water,” “Spotlight,” “The King’s Speech” and “The Departed.” Noteworthy is the inclusion of James Mangold’s “A Complete Unknown” in drama, which could see its lead actor nominee Timothee Chalamet emerge victorious. Also, “Dune: Part Two” had a ho-hum showing, which came with only two mentions (one of which is ineligible ), and a head-scratching omission from the box office category. The road for Denis Villeneuve’s masterful sci-fi epic is looking a bit grim. The day after Amazon MGM Studios’ “Nickel Boys” from RaMell Ross and Paramount Pictures’ “September 5” from Tim Fehlbaum tied at the L.A. Film Critics Awards for best editing , the pair landed in the best picture (drama) category, but as the film’s sole nominees. Only seven films in history have been nominated for just one Golden Globe for best picture (drama): “The Great Debaters” (2007), “La Bamba” (1987), “In Cold Blood (1967), “The Professionals” (1966), “The Chalk Garden” (1964), “The Great Escape” (1963) and “The Inspector” (1962). Coincidentally, none of them translated to an Oscar nom for best picture. In addition to their surprise inclusions, it’s also interesting to see which films they pushed out, including A24’s prison drama “Sing Sing” (which landed a sole nod for Colman Domingo) and Bleecker Street’s British character study “Hard Truths” (which was unfortunately shut out). So what does that mean for “Nickel Boys” and “September 5?” Let’s see how they continue to perform. Between Sean Baker’s poignant indie Palme d’Or winner “Anora,” which recently topped the L.A. Film Critics Association , Jacques Audiard’s dazzling nomination leader “Emilia Pérez,” and Jon M. Chu’s beloved blockbuster musical “Wicked,” three of the presumed frontrunners for the Oscar best picture race hail from the comedy/musical side of the Globes. This year’s lineup suggests a resurgence for the genres, but the big question remains: Which film can seal the deal for its studio and ultimately cross the finish line at the Oscars? It’s worth remembering that success in the comedy/musical category at the Globes doesn’t always translate to Oscar glory. In recent years, notable examples include “The Banshees of Inisherin,” which triumphed at the Globes only to lose the best picture Oscar to “Everything Everywhere All at Once” (2022). Similarly, “The Grand Budapest Hotel” charmed its way to a win, only to watch “Birdman” (2014) dominate the Oscars ceremony. But one thing’s for certain: If the Globes producers are looking to ensure maximum audience engagement, they’d be wise to save the comedy/musical categories for the final act of the show. This year’s lineup features all the heavyweights and crowd-pleasers that will keep viewers glued to their screens. There’s been a growing consensus the race for best actress is the most competitive, with an embarrassment of riches. The nominees include Pamela Anderson for “The Last Showgirl,” Angelina Jolie for “Maria,” Nicole Kidman for “Babygirl,” Tilda Swinton for “The Room Next Door,” Fernanda Torres for “I’m Still Here” and Kate Winslet for “Lee.” Each talented performer brings a unique and compelling portrayal to the table, only adding to the fierce competition at hand. Among the nominees, Torres stands out as the only actress whose film also earned another mention, landing a spot in the Non-English Language category. Does the dual recognition make her the frontrunner for this prize? Multiple industry insiders and voter conversations suggest she’s a favorite among members, which could solidify her position as a leading contender, which could help her in her awards prospects. But while Torres may have the edge, Kidman and Jolie’s portrayals have also garnered significant support. For Anderson and Swinton, the nominations provide a much-needed jolt of momentum. Both actresses have faced somewhat muted awards buzz leading up to nominations. And then there’s Winslet, whose double nom — including her nod for the miniseries “The Regime” — adds an intriguing layer. The last time Winslet landed two Globe noms was in 2008 when she went on to win for both “Revolutionary Road” and “The Reader.” Could voters throw one her way? One of the more surprising omissions from this year’s Globes was the snub for Jon M. Chu in the directing category for Universal’s “Wicked,” which prompted a flurry of social media declarations: “It’s over” for the film’s directing and best picture chances. Not so fast, Ozians. History reminds us that a Globe snub doesn’t necessarily spell doom. Five films have gone on to win the Oscar for best picture despite their directors missing out on Globes: “CODA” (2021), “Crash” (2005), “Driving Miss Daisy” (1989), “Chariots of Fire” (1981) and “The Sting” (1973). And in the rare but not impossible case of a director missing the Globe nod and still clinching the Oscar, there are two examples: Roman Polanski for “The Pianist” (2002) and George Roy Hill for “The Sting.” While not unprecedented, Chu’s omission raises the stakes for “Wicked” as the season continues to heat up. The Directors Guild of America noms, which come in January, will be key in determining whether the film’s directorial vision can still carve out its path to Oscar night glory. Also noteworthy, sometimes “overperforming” can be a bad thing in the grand scheme of Oscar campaigning. Just ask “Barbie” following its nine Globe noms, and record-breaking 18 CCA mentions last year. For now, it’s still anyone’s game. India is the new France, at least in the Oscar international feature world. After years of contentious selections — most notably not choosing “Anatomy of a Fall” over “The Taste of Things” last year — France appears to have finally realigned its strategy with Jacques Audiard’s “Emilia Pérez,” a choice vindicated by its 10 noms. In contrast, India’s choice to bypass Payal Kapadia’s Cannes Grand Prix winner, “All We Imagine as Light” in favor of “Lucky Ladies,” turned some heads. Many believe that Kapadia’s film possesses the thematic depth and cinematic artistry to be a true challenger to “Emilia.” Despite not being India’s official entry, “All We Imagine” is gaining traction in the U.S. Securing distribution through Janus Films and Sideshow — the team behind the best picture-nominated “Drive My Car” — Kapadia’s film is poised for a robust awards campaign. Its recent victories in the Foreign Language categories at both the L.A. Film Critics and Gotham awards show strength. Additionally, dual mentions for non-English language and director amplify its visibility and credibility in the crowded awards landscape. This could mimic the road for “Anatomy” last year, which went on to receive five Oscar nominations, winning one for original screenplay. BAFTA will be vital. Searchlight Pictures’ “A Real Pain,” written, directed, and produced by Jesse Eisenberg, had a strong showing at the nominations, earning nods for picture (comedy), supporting actor (Kieran Culkin), actor and screenplay (both for Eisenberg). Thus far, Glen Powell’s charismatic turn in “Hit Man,” Jesse Plemons’ Cannes-winning performance in “Kinds of Kindness” and the double-nominated Sebastian Stan for “A Different Man” have been assumed to be the frontrunners. However, Eisenberg’s momentum, bolstered by “A Real Pain’s” screenplay win from L.A. Film Critics, and Culkin’s current steamroll with other critics groups, suggests he shouldn’t be counted out. If Eisenberg pulls off a Globe victory, he could join an elite club of actors who directed themselves to Oscar nominations, including Bradley Cooper (“A Star Is Born,” “Maestro”), Denzel Washington (“Fences”), and Clint Eastwood (“Million Dollar Baby,” “Unforgiven”). Eisenberg, a former Oscar nominee for “The Social Network” (2010), has proven he’s capable of delivering compelling performances, ones the Academy can embrace, and his work in “A Real Pain” is no exception. Sebastian Stan has doubled his awards season presence, earning two lead noms — one for his daring portrayal of Donald J. Trump in the drama “The Apprentice” and the other for his tender turn as a man grappling with neurofibromatosis in the dramedy “A Different Man.” This rare feat places Stan among an elite group of performers. The last actor to achieve dual lead nominations in both drama and comedy categories was Julianne Moore in 2014, winning for “Still Alice” while also nominated for “Maps to the Stars.” Among male actors, he joins the ranks of Ryan Gosling (2011’s “The Ides of March” and “Crazy, Stupid, Love”), Tom Hanks (1993’s “Philadelphia” and “Sleepless in Seattle”), and Dustin Hoffman (1970’s “Midnight Cowboy” and “John and Mary”). Notably, Gosling is the only one of these not to secure an eventual Oscar nomination, underscoring the significance of this accomplishment. Stan’s awards trajectory is further bolstered by his co-star Jeremy Strong, who earned a supporting actor nom for “Apprentice.” This added co-star presence could strengthen Stan’s chances with Academy voters, particularly in a year with a comparatively weaker lead actor field. However, the road is not without challenges. Vote-splitting between his two standout performances could dilute his Oscar chances, and “The Apprentice,” despite its acclaim, faces polarizing reactions due to the cultural baggage of its subject. On the other hand, “A Different Man,” which won best feature at the Gothams, may present a more accessible option for voters. Perhaps there’s room for our favorite “Winter Soldier?” The Globes acting nods delivered a mix of triumphant milestones and notable snubs with diversity and representation. Latino actors had one of their strongest showings in decades, particularly Afro-Latinos. Colman Domingo earned a nom for his powerful role in “Sing Sing,” while Zoe Saldaña, a standout in “Emilia Pérez,” was joined by her co-star Selena Gomez, who scored a second mention for TV comedy actress in “Only Murders in the Building.” Brazilian actress Fernanda Torres, nominated for “I’m Still Here,” follows in the footsteps of her mother, Fernanda Montenegro, who was recognized in 1998 for “Central Station.” On the TV side, Liza Colón-Zayas (“The Bear”), Sofía Vergara (“Griselda”), and Diego Luna (“La Máquina”) also received deserved noms. Notable: “Alien: Romulus,” directed by Uruguayan auteur Fede Álvarez, earned a spot for box office and cinematic achievement. However, Nicholas Alexander Chavez, the sole Latino main actor in “Monsters: The Lyle and Erik Menendez Story,” was snubbed, even as his co-stars Javier Bardem and Cooper Koch had their names called. Black actors were highlighted on the film side with Denzel Washington (“Gladiator II”), Zendaya (“Challengers”), Cynthia Erivo (“Wicked”), along with Saldaña and Domingo. Yet glaring omissions were felt, with Danielle Deadwyler (“The Piano Lesson”), Clarence Maclin (“Sing Sing”), Marianne Jean-Baptiste (“Hard Truths”), and RaMell Ross (director of “Nickel Boys”) left out. On the TV side, Jamie Foxx’s comedy special earned a nod, as did Quinta Brunson (“Abbott Elementary”), Ayo Edebiri (“The Bear”), and Donald Glover (“Mr. and Mrs. Smith”). AAPI talent shone on the television side, with Ali Wong, Ramy Youssef, Tadanobu Asano, Hiroyuki Sanada, Anna Sawai, and Maya Erskine all landing mentions. Meanwhile, hopes are high for Indigenous performer Kali Reis to follow in Lily Gladstone’s historic win last year (“Killers of the Flower Moon”), with her nom for HBO/Max’s “True Detective: Night Country.” Karla Sofía Gascón hit a significant milestone for the LGBTQ community with her nom for “Emilia Pérez, ” becoming the first out trans performer to be nominated in a top film acting category (“Pose” actor Michaela Jaé Rodriguez won the TV actress comedy in 2022). Non-binary actor Emma D’Arcy was among the TV nominees for “House of the Dragon” in lead drama actress, along with other openly gay actors such as Jodie Foster and Kali Reis (“True Detective: Night Country”) and Richard Gadd (“Baby Reindeer”). That also included film nominees such as Domingo and Erivo. Coralie Fargeat’s bold and visceral “The Substance” made a major splash with five Globe noms, including best picture (Comedy), directing, screenplay, actress (Demi Moore) and supporting actress (Margaret Qualley). A significant moment for the often-overlooked horror genre, but the bigger question remains: Will the Academy embrace this daring, genre-defying choice? The film, which won the screenplay prize at Cannes, has garnered critical acclaim for its audacious storytelling, particularly its jaw-dropping, chaotic third act. International voters could be the group to rally behind its innovative approach, but convincing Hollywood’s more conservative (snobby?) voting body to recognize a horror film is a perennial challenge. Still, the film’s momentum is undeniable. A fascinating footnote: This marks Demi Moore’s first Globe nomination on the film side since “Ghost” (1990) — when she was nominated alongside her “Substance” co-star Qualley’s mother, Andie MacDowell (“Green Card”), before Qualley was even born. A full-circle moment. The first season of Netflix’s “Squid Game” landed three Globe noms in 2021, including drama series. Now, it’s been three years since the show, which became the most-watched series in Netflix history, and voters gave it a sole nom for drama series. But don’t read too much into that. Netflix made Season 2 available to Globe voters (Season 2 doesn’t release until Dec. 26), however, this is different from late-breaking films which have fall festivals and other avenues to pick up steam. The TV awards calendar blends overlapping Emmy seasons. It’s also difficult for a show to take such a long hiatus, and return for more (i.e., “Atlanta”). Nonetheless, “Squid Game” is back in the conversation, and hoping for another dance at the Emmys (especially now that “Succession” is over). While broadcast networks broke their way back into the Emmy race earlier this year with ABC and CBS picking up 38 nods each, that wasn’t the outcome for Globe nominations. ABC’s hit mockumentary “Abbott Elementary” is the sole nominated broadcast show, picking up two noms for TV comedy series and lead actress Quinta Brunson. The rest of the field was dominated by streamers (and a little bit of cable). After “Abbott” won the top prize for the first season, it was de-throned by “The Bear” last year. In the middle of an amazing fourth season, could the critically acclaimed comedy make another trip to the Beverly Hilton ballroom stage? Netflix has long sought a dominant player in the TV comedy awards race, with past contenders like “Orange Is the New Black,” “Unbreakable Kimmy Schmidt,” “Master of None” and “Wednesday” earning acclaim but falling short of the top prize. Now, the streamer appears poised for a breakthrough with the rom-com series Nobody Wants This. Starring Kristen Bell and Adam Brody, the show centers on the unconventional relationship between an agnostic woman and a rogue rabbi, striking a chord with audiences and critics alike. As a result, the series landed three Globe noms — for Comedy Series, Actor, and Actress — mirroring the same showing at the Critics Choice TV Awards nominations last week. With a 94% score on Rotten Tomatoes and a growing fanbase, “Nobody Wants This” could give Netflix the chance to walk away with its second Globe win for a comedy series after “The Kominsky Method” in 2019. But one thing’s for certain, this is the streamer’s comedy pony to push for next year’s Emmys and they’re determined to get it there. HBO/Max’s crime drama miniseries “The Penguin” has solidified its place in this year’s TV awards conversation, earning three noms for Colin Farrell, Cristin Milioti, and limited series and joining its network counterpart “House of the Dragon” among the genre shows recognized. Farrell, a past Globe winner for the film “In Bruges,” emerges as a formidable contender, potentially challenging Emmy winner Richard Gadd (“Baby Reindeer”). Meanwhile, Milioti’s mention for her standout portrayal positions her as a dark horse in the actress category, where she could upset fellow HBO/Max star Jodie Foster (“True Detective: Night Country”). Interestingly, the Globes and Emmys have aligned in this category for the past five years, but history suggests the occasional surprise. Memorable upsets include Patricia Arquette’s (“Escape at Dannemora”) over Regina King (“Seven Seconds”) and Drew Barrymore’s win for “Grey Gardens” over Emmy-winning co-star Jessica Lange. “The Penguin” could go far. After a historic Emmy loss despite breaking the all-time nomination record for a comedy series, FX’s “The Bear” leads the Globe nominations for all series with five, including comedy series, and four of its actors. While Season 3 of the FX hit received a more tempered response compared to its earlier seasons, this marks the second major voting body to cast their ballots on this previous outing. The Critics Choice TV Awards only provided a sole mention for supporting comedy actress Liza Colón-Zayas. The show’s uneven reception hasn’t stopped its dominance, but the ongoing debate over whether “The Bear” truly qualifies as a comedy will continue to be a topic going into the next season, surely. The question now is whether Globe voters will double down on their love for “Bear,” or pivot to fresher, newer contenders.INDIANAPOLIS -- There's more than just school pride and bragging rights to all that bellyaching over who might be in and who might be out of college football 's first 12-team playoff. Try the more than $115 million that will be spread across the conferences at the end of the season, all depending on who gets in and which teams go the farthest. According to the College Football Playoff website , the 12 teams simply making the bracket earn their conferences $4 million each. Another $4 million goes to conferences whose teams get into the quarterfinals. Then, there's $6 million more for teams that make the semifinals and another $6 million for those who play for the title. Most of this bonanza comes courtesy of ESPN, which is forking over $1.3 billion a year to televise the new postseason. A lot of that money is already earmarked — more goes to the Big Ten and Southeastern Conference than the Big 12 or Atlantic Coast — but a lot is up for grabs in the 11 games that will play out between the opening round on Dec. 20 and the final on Jan. 20. In all, the teams that make the title game will bring $20 million to their conferences, all of which distribute that money, along with billions in TV revenue and other sources, in different ways. In fiscal 2022-23, the Big Ten, for instance, reported revenue of nearly $880 million and distributed about $60.5 million to most of its members. The massive stakes might help explain the unabashed lobbying coming from some corners of the football world, as the tension grows in advance of Sunday's final rankings, which will set the bracket. Earlier this week, Big 12 commissioner Brett Yormark lit into the selection committee, which doesn't have a single team higher than 15 in the rankings. That does two things: It positions the Big 12 as a one-bid league, and also threatens to makes its champion — either Arizona State or Iowa State — the fifth-best among conference titlists that get automatic bids. Only the top four of those get byes, which could cost the Big 12 a spot in the quarterfinals — or $4 million. “The committee continues to show time and time again that they are paying attention to logos versus resumes,” Yormark said this week, while slamming the idea of teams with two losses in his conference being ranked worse than teams with three in the SEC. The ACC is also staring at a one-bid season with only No. 8 SMU inside the cut line of this week's projected bracket. Miami's loss last week all but bumped the Hurricanes out of the playoffs, a snub that ACC commissioner Jim Phillips said left him “incredibly shocked and disappointed." “As we look ahead to the final rankings, we hope the committee will reconsider and put a deserving Miami in the field," Phillips said in a statement. The lobbying and bickering filters down to the campuses that feel the impact. And, of course, to social media. One of the most entertaining episodes came earlier this week when athletic directors at Iowa State and SMU went back and forth about whose team was more deserving. There are a few stray millions that the selection committee cannot really influence, including a $3 million payment to conferences that make the playoff. In a reminder that all these kids are going to school, after all, the conferences get $300,000 per football team that meets academic requirements to participate in the postseason. (That's basically everyone). ___ Get poll alerts and updates on the AP Top 25 throughout the season. Sign up here . AP college football: https://apnews.com/hub/ap-top-25-college-football-poll and https://apnews.com/hub/college-football
North Carolina interviews Bill Belichick for head coaching job, AP sources sayInformation on these pages contains forward-looking statements that involve risks and uncertainties. Markets and instruments profiled on this page are for informational purposes only and should not in any way come across as a recommendation to buy or sell in these assets. You should do your own thorough research before making any investment decisions. FXStreet does not in any way guarantee that this information is free from mistakes, errors, or material misstatements. It also does not guarantee that this information is of a timely nature. Investing in Open Markets involves a great deal of risk, including the loss of all or a portion of your investment, as well as emotional distress. All risks, losses and costs associated with investing, including total loss of principal, are your responsibility. The views and opinions expressed in this article are those of the authors and do not necessarily reflect the official policy or position of FXStreet nor its advertisers. The author will not be held responsible for information that is found at the end of links posted on this page. If not otherwise explicitly mentioned in the body of the article, at the time of writing, the author has no position in any stock mentioned in this article and no business relationship with any company mentioned. The author has not received compensation for writing this article, other than from FXStreet. FXStreet and the author do not provide personalized recommendations. The author makes no representations as to the accuracy, completeness, or suitability of this information. FXStreet and the author will not be liable for any errors, omissions or any losses, injuries or damages arising from this information and its display or use. Errors and omissions excepted. The author and FXStreet are not registered investment advisors and nothing in this article is intended to be investment advice.IBM and State of Illinois to Build National Quantum Algorithm Center in Chicago with Universities and Industries
NEW YORK (AP) — Richard Parsons, one of corporate America's most prominent Black executives who held top posts at Time Warner and Citigroup, died Thursday. He was 76. Parsons, who died at his Manhattan home, was diagnosed with multiple myeloma in 2015 and cited “unanticipated complications” from the disease for cutting back on work a few years later. The financial services company Lazard, where Parsons was a longtime board member, confirmed his death. The NBA, where Parsons was interim CEO of the Los Angeles Clippers in 2014, was among organizations offering condolences. “Dick Parsons was a brilliant and transformational leader and a giant of the media industry who led with integrity and never shied away from a challenge,” NBA Commissioner Adam Silver said. Parsons’ friend Ronald Lauder told The New York Times that the cause of death was cancer. Parsons stepped down Dec. 3 from the boards of Lazard and Lauder's company, Estée Lauder, citing health reasons. He had been on Estée Lauder’s board for 25 years. Parsons, a Brooklyn native who started college at 16, was named chairman of Citigroup in 2009, one month after leaving Time Warner Inc., where he helped restore the company’s stature following its much-maligned acquisition by internet provider America Online Inc. He steered Citigroup back to profit after financial turmoil from the subprime mortgage crisis, which upended the economy in 2007 and 2008. Parsons was named to the board of CBS in September 2018 but resigned a month later because of illness. Parsons said in a statement at the time that he was already dealing with multiple myeloma when he joined the board, but “unanticipated complications have created additional new challenges.” He said his doctors advised him to cut back on his commitments to ensure recovery. “Dick’s storied career embodied the finest traditions of American business leadership,” Lazard said in a statement. The company, where Parsons was a board member from 2012 until this month, praised his “unmistakable intelligence and his irresistible warmth.” “Dick was more than an iconic leader in Lazard’s history — he was a testament to how wisdom, warmth, and unwavering judgment could shape not just companies, but people’s lives,” the company said. “His legacy lives on in the countless leaders he counseled, the institutions he renewed, and the doors he opened for others.” Parsons was known as a skilled negotiator, a diplomat and a crisis manager. Although he was with Time Warner through its difficulties with AOL, he earned respect for the company and rebuilt its relations with Wall Street. He streamlined Time Warner’s structure, pared debt and sold Warner Music Group and a book publishing division. He also fended off a challenge from activist investor Carl Icahn in 2006 to break up the company and helped Time Warner reach settlements with investors and regulators over questionable accounting practices at AOL. Parsons joined Time Warner as president in 1995 after serving as chairman and chief executive of Dime Bancorp Inc., one of the largest U.S. thrift institutions. In 2001, after AOL used its fortunes as the leading provider of Internet access in the U.S. to buy Time Warner for $106 billion in stock, Parsons became co-chief operating officer with AOL executive Robert Pittman. In that role, he was in charge of the company’s content businesses, including movie studios and recorded music. He became CEO in 2002 with the retirement of Gerald Levin, one of the key architects of that merger. Parsons was named Time Warner chairman the following year, replacing AOL founder Steve Case, who had also championed the combination. The newly formed company’s Internet division quickly became a drag on Time Warner. The promised synergies between traditional and new media never materialized. AOL began seeing a reduction in subscribers in 2002 as Americans replaced dial-up connections with broadband from cable TV and phone companies. Parsons stepped down as CEO in 2007 and as chairman in 2008. A year later AOL split from Time Warner and began trading as a separate company, following years of struggles to reinvent itself as a business focused on advertising and content. Time Warner is now owned by AT&T Inc. A board member of Citigroup and its predecessor, Citibank, since 1996, Parsons was named chairman in 2009 at a time of turmoil for the financial institution. Citigroup had suffered five straight quarters of losses and received $45 billion in government aid. Its board had been criticized for allowing the bank to invest so heavily in the risky housing market. Citigroup returned to profit under Parsons, starting in 2010, and would not have a quarterly loss again until the fourth quarter of 2017. Parsons retired from that job in 2012. In 2014 he stepped in as interim CEO of the Clippers until Microsoft CEO Steve Ballmer took over later that year. Parsons, a Republican, previously worked as a lawyer for Nelson Rockefeller, a former Republican governor of New York, and in Gerald Ford’s White House. Those early stints gave him grounding in politics and negotiations. He also was an economic adviser on President Barack Obama’s transition team. Parsons, who loved jazz and co-owned a Harlem jazz club, also served as Chairman of the Apollo Theater and the Jazz Foundation of America. And he held positions on the boards of the Smithsonian National Museum of African American History and Culture, the American Museum of Natural History and the Museum of Modern Art in New York City. Parsons played basketball at the University of Hawaii at Manoa and received his law degree from Albany Law School in 1971. He is survived by his wife, Laura, and their family. This obituary was primarily written by the late Associated Press reporter Anick Jesdanun, who died in 2020 .B.C. NDP government, Greens reach 'shared priorities' agreement
Human Rights Day is observed annually on December 10th around the world. It marks the anniversary of the Universal Declaration of Human Rights (UDHR), one of the most groundbreaking global pledges in history. This landmark document enshrines the inalienable rights to which every person is entitled, regardless of race, colour, religion, sex, language, political or other opinion, national or social origin, property, birth, or other status. “The Universal Declaration shows the way to common values and approaches that can help resolve tensions and create the security and stability our world craves,” said UN Secretary-General António Guterres. Human rights empower individuals and communities to build a better tomorrow. By embracing the full power of human rights as the path to the world we desire, we can become more peaceful, equal, and sustainable. This year’s theme, “Our Rights, Our Future, Right Now”, is a call to recognize the importance and relevance of human rights in our daily lives. In Myanmar, the constitutional framework — specifically Sections 347, 348, and 349 — serves as a bulwark in safeguarding the fundamental rights of its citizens. This commitment ensures that all Myanmar citizens not only have the right to enjoy fundamental freedoms but are also bound by the responsibility not to infringe upon the rights of others, regardless of the circumstances. The Myanmar National Human Rights Commission, in line with its mandate, is actively promoting and protecting human rights. As part of this effort, it has translated the Universal Declaration of Human Rights into Myanmar and 21 indigenous languages. The Declaration has also been printed as posters and made into animated films for distribution. These initiatives aim to raise awareness and understanding of human rights among indigenous communities. The National Human Rights Commission Law was enacted by the Union Parliament on 28 March 2014, as Law No 21. Subsequently, the MNHRC was established in accordance with this law, marking the first such commission in Myanmar’s history. Although the commission was initially established on 5 September 2011, through Notification 34/2011, it was restructured under the law on 24 September 2014. In line with the objectives set forth in the Commission Law, efforts to establish a human rights organization that upholds and protects human rights are being carried out. These efforts include safeguarding human rights, investigating violations, and implementing relevant recommendations. Furthermore, the Commission conducts inspections and audits of prisons, detention centres, lock-ups, and holding facilities. Based on its findings, the Commission submits pertinent recommendations to the appropriate government departments.Calgary Family Law Associates Introduces Innovative Mediation Services to Simplify Child Custody Agreements 11-22-2024 07:02 PM CET | Politics, Law & Society Press release from: ABNewswire Calgary Family Law Associates, a leading association of independent family law practitioners, is proud to unveil its Innovative Mediation Services, designed to streamline and simplify child custody agreements. This groundbreaking service provides families with a collaborative, supportive environment to navigate the complexities of custody arrangements, ensuring the best interests of children are always prioritized. Resolving family disputes can often be a challenging and emotionally draining process. Recognizing these challenges, Calgary Family Law Associates has developed a mediation approach that focuses on reducing stress, fostering communication, and achieving practical, mutually beneficial outcomes. Each family is unique, and our team of experienced lawyers is committed to tailoring our services to meet the specific needs of every client. Mediation encourages open dialogue and negotiation between parents, guided by skilled mediators who help articulate concerns, explore options, and build effective custody arrangements. By focusing on communication and collaboration, mediation often leads to faster, less expensive, and more harmonious resolutions compared to court proceedings. Why Choose Calgary Family Law Associates' Innovative Mediation Services? Child-Centered Focus: Our mediators ensure that children's needs remain at the heart of every decision. Tailored Approach: Services are customized to address each family's unique circumstances. Expert Guidance: Our team of lawyers brings extensive knowledge in family law, ensuring clients receive compassionate, informed support. Conflict Minimization: Mediation fosters cooperation, reducing the emotional toll of prolonged disputes. Efficient Process: Clients often achieve resolutions more quickly than through traditional legal channels. In addition to child custody mediation, Calgary Family Law Associates offers a broad range of family law services, including assistance with child welfare, domestic violence cases, adoptions, and complex property division. With a wealth of expertise, our team is committed to guiding clients through every stage of their family law journey with care and professionalism. "Our Innovative Mediation Services represent a significant step forward in how families can approach custody challenges," added Rani W. Wong. "By focusing on collaboration and understanding, we help parents build agreements that work not just for today but for the future." Comprehensive Support for Families Whether you are at the beginning of a custody discussion or facing ongoing challenges, Calgary Family Law Associates is here to help. We invite families to learn more about our mediation services and explore how we can support them in building a positive path forward. For more information or to schedule a consultation with one of our specialized child custody lawyers [ https://www.calgaryfamilylawassociates.com/child-support/ ], please visit our website at calgaryfamilylawassociates.com or contact us at 587-393-7850. Calgary Family Law Associates is dedicated to safeguarding your family's future and ensuring that your voice is heard. Media Contact Company Name: Calgary Family Law Associat Contact Person: Rani W. Wong K.C. Email:Send Email [ https://www.abnewswire.com/email_contact_us.php?pr=calgary-family-law-associates-introduces-innovative-mediation-services-to-simplify-child-custody-agreements ] Phone: 587-393-7850 Address:340 12 Ave SW 450 587 393 7850, Central Park Plaza City: Calgary State: AB T2R 1L5 Country: Canada Website: https://www.calgaryfamilylawassociates.com This release was published on openPR.
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